***CALL FOR PAPERS ***

NETWORKS AND SOCIABILITY IN EAST EUROPEAN ART
The Courtauld Institute of Art Saturday 23 October 2010

Czech Slovak Hungarian Artist Tug of War Balatonboglar 1972

The SocialEast Seminar on Networks and Sociability in East European Art provides a forum for the presentation of new research into practices of informal exchange and patterns of alternative communication between experimental artists in the Eastern Bloc. This seminar explores the ways in which unauthorised artistic ideas were able to transgress national and ideological boundaries through networks of friendship and artistic collaboration that flew in the face of an official culture of isolationism, censorship and political control. It focuses on processes of artistic exchange that took shape at a grass-roots level, inventive strategies to surmount bureaucratic obstacles, and the specific meaning of ‘networking’ in the context of communist Eastern Europe. The seminar also considers the degree to which state-sponsored artistic events, held for Cold War propaganda reasons, could become spaces for unofficial exchange, the roles available to exiled artists and intellectuals in facilitating international communication, collaboration and the circulation of materials, as well as the contribution of curators and intellectuals from the far side of the Iron Curtain in creating informal networks.

To suggest a paper for the SocialEast Seminar on Networks and Sociability in East European Art, please send a 200 word proposal and biographical note to info@socialeast.org

The deadline for submitting a proposal is Monday 15 March 2010.

A SHORT HISTORY OF SOCIALEAST
The SocialEast Forum on the Art and Visual Culture of Eastern Europe was set up in order to address the many pertinent questions arising from the ongoing reconsideration of the history of art in Central and Eastern Europe. This project, which was initiated in 2006 at Manchester Metropolitan University by Dr. Reuben Fowkes, has from the outset been based on the principles of interdisciplinarity, transnationality and intellectual collaboration, reflecting a desire to generate alternative research structures and promote critical approaches to dominant (yet contested) art historical narratives produced under the influence of Cold War politics.
..(more)

*** PUBLICATION ***

THE SPECIAL ISSUE OF THIRD TEXT ON SOCIALIST EASTERN EUROPE IS NOW OUT!

Third Text
Socialist Eastern Europe
Issue 96, Mar 2009

Guest editor Dr. Reuben Fowkes

Contributors:
Piotr Piotrowski, Misko Suvakovic, Gerald Raunig, Bettina Jungen, Ulrike Goeschen, Lara Weibgen, Edit Andras, Marian Mazzone, Andrzej Szczerski and Hedvig Turai

This special issue of Third Text includes essays by leading theoreticians dealing with the problematic of how to rewrite the art history of Europe after the Cold War to take into account the multiple histories of the countries of Eastern Europe.

It also highlights the work of a new generation of scholars whose approach to European art history is comparative, pluralistic and goes beyond the binary oppositions that has structured much thinking about Modernism, Socialist Realism, and Conceptual Art.

The thematic areas covered range from the modalities of Socialist Realism under Stalin, the achievements of the Post Avant Garde in Hungary, Poland and Czechoslovakia, to public attitudes to the socialist past and recent reflections on the cultural legacy of East European socialism in contemporary art.

order a copy

BLOG

Beyond East

Experimental SocialEast Forum blog reflecting on topical issues, publications, exhibitions, opinions and events in the field of East European art and beyond.

PUBLICATION

Revolution I Love You: 1968 in Art Politics and Philosophy
Edited by Maja and Reuben Fowkes

Published by MIRIAD Manchester Metropolitan University
in association with Centre for Contemporary Art Thessaloniki,
Trafo House of Contemporary Arts Budapest (May 2008)

The exhibition publication considers the interconnection of art, politics and philosophy in 1968 across a divided Europe. It is a mosaic of interviews, statements and essays by prominent theorists, historians, curators, cultural workers and artists that shows the multipolar and interrelated experience of that extraordinary year...(more)


 

SEMINARS

2006
Art and Ideology
Art and Documentary

2007
Art and Revolution
Art and Memory

2008
Art and Empire
The Legacy of 1968

2009
Art and Espionage
Foreign Experience in Post-89 Art

2010
Networks and Sociability

PARTICIPANTS

Piotr Piotrowski
Lynda Morris
Suzanne Cotter
Eva Forgacs
Gerald Raunig
Gáspár Miklós Tamás
Malcolm Miles
Edit András
Erwin Kessler
Dorota Monkiewicz
Zdenka Badovinac
Miško Suvaković
Tomáš Pospiszyl
Andrzej Szczerski
Simon Rees
Alina Serban
Tamas St.Auby
Ulrike Goeschen
Angela Harutyunyan
Anton Lederer
Bettina Jungen
Michael Blum
Klara Kemp-Welch
Dorota Monkiewicz
Marian Mazzone
Katarzyna Ruchel-Stockmans
Lara Weibgen
Hedwig Turai
Marko Lulić
Katarzyna Murawska-Muthesius
Magdalena Radomska
Benjamin Cope
Szacsva y Pal
David Crowley
Francesca Franco
Daniel Grun
Tomasz Gryglewicz
Maria Hussakowska
Adriana Kiss-Davies
Ele Carpenter
Katarzyna Kosmala
Nancy Jachec
Patricia Allmer
Nick Crowe
Luiza Nader
Amy Bryzgel
Diana McCarthy
Nataša Petrešin-Bachelez
Nada Prlja
Oleksiy Radynski
Szabolcs KissPál
Doina Anghel
Laszlo Beke
Mark Boswell
Paolo Cirio
Anthony Downey
Catherine Fraixe
Kata Krasznahorkai
Nina Levitt
Lukasz Ronduda
Kädi Talvoja
Raluca Voinea
Franciska Zólyom

INSTITUTIONS

MIRIAD
Manchester Metropolitan University

Jagiellonian University
Krakow

Courtauld Institute
London

AICA Croatia

Ludwig Museum of Contemporary Art Budapest

Pasts Inc / Central European University

ACAX: Agency for Contemporary Art Exchange

 

 

 

 

 
copyright 2006-9